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TWO-ARTIST EXHIBITION PRESS DOSSIER · NORTH HOLLYWOOD · 2007

DESTRUCTION OF THE STATE: WRITING ON THE WALL

Destruction of the State: Writing on the Wall ran at Satsuma Gallery from August 4 to 31, 2007, opening on Saturday the 11th. It was the exhibition promised to the second- and third-place winners of the 2006 juried show: Barbara, and the Missouri painter Joel Sager. Her half was the text paintings—Hard Rain, Hollywood Sunset, What Comes After Black?, Terremoto, 1983: A Merman I Should Turn 2B—and, new that year, Hope & Loss and the two Small Losers.

No review has been found. What survives is her own paper and her own camera: the postcard, the statement she wrote for the show, her inventory of fifteen paintings and nine ceramics, and more than fifty photographs of the walls and the opening—Barbara beneath the cross of Hope & Loss, Barbara in front of Hard Rain, Barbara with Joel Sager in front of his paintings.

THE VENUE

Satsuma Gallery

5447 Satsuma Avenue, in the NoHo Arts District of North Hollywood. Founded by Richard Doran; a gallery that also housed working studios for its resident artists.

THE DATES

August 4–31, 2007

Opening reception Saturday, August 11, 6–9 pm. Works by Barbara Romain and Joel Sager—the exhibition awarded to the two of them at New Beginnings the previous June.

THE SHOW

Fifteen paintings, nine ceramics

Her inventory for the gallery lists fifteen paintings—from Purple Haze (1994) to Hope & Loss (2007)—and nine ceramic bowls and plates from her work at the Braille Institute. Hope & Loss, nine eighteen-inch panels of lottery tickets and pennies, was hung as a cross.

WORKS FEATURED

STATEMENT

ARTIST STATEMENT

Barbara on the show

When I was diagnosed with a retinal degenerative disease in 1984, I had been painting for years. As I became legally blind, I seriously questioned my ability to continue painting. I slowly transformed my thinking and techniques to incorporate my physical limitations as an integral part of my work.

 

My color palette has grown more vivid as my sight diminishes. I create original stencils, which form icons as imagery. My work relies less on what I see and more on what I hear, remember and imagine.

 

I am increasingly inspired by the world of sound—music and language. In my “visual music” paintings, I create a painted version of a particular piece of music “performed” in response to listening to it multiple times.

“I strive to make paintings which become improvisational, multi-layered ‘weavings of words’, where the viewer is invited to create his/her own poetry.”

 

— Barbara Romain, statement written for Destruction of the State: Writing on the Wall, August 2007

THE PRESS RECORD · 2007

What was written, printed and photographed

Filter by kind. Each box opens its source; grey boxes are held in the Estate archive and open on request.

2007

Satsuma Gallery · North Hollywood (August 4–31, 2007 · opening August 11)

2007

Satsuma Gallery · North Hollywood (August 4–31, 2007 · opening August 11)

2007

Satsuma Gallery · North Hollywood (August 4–31, 2007 · opening August 11)

2007

Satsuma Gallery · North Hollywood (August 4–31, 2007 · opening August 11)
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Artwork © Estate of Barbara Romain.  Site © 2024 Barbara Romain Art. All rights reserved.

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