TWO-ARTIST EXHIBITION PRESS DOSSIER · NORTH HOLLYWOOD · 2007
DESTRUCTION OF THE STATE: WRITING ON THE WALL
Destruction of the State: Writing on the Wall ran at Satsuma Gallery from August 4 to 31, 2007, opening on Saturday the 11th. It was the exhibition promised to the second- and third-place winners of the 2006 juried show: Barbara, and the Missouri painter Joel Sager. Her half was the text paintings—Hard Rain, Hollywood Sunset, What Comes After Black?, Terremoto, 1983: A Merman I Should Turn 2B—and, new that year, Hope & Loss and the two Small Losers.
No review has been found. What survives is her own paper and her own camera: the postcard, the statement she wrote for the show, her inventory of fifteen paintings and nine ceramics, and more than fifty photographs of the walls and the opening—Barbara beneath the cross of Hope & Loss, Barbara in front of Hard Rain, Barbara with Joel Sager in front of his paintings.
THE VENUE
Satsuma Gallery
5447 Satsuma Avenue, in the NoHo Arts District of North Hollywood. Founded by Richard Doran; a gallery that also housed working studios for its resident artists.
THE DATES
August 4–31, 2007
Opening reception Saturday, August 11, 6–9 pm. Works by Barbara Romain and Joel Sager—the exhibition awarded to the two of them at New Beginnings the previous June.
THE SHOW
Fifteen paintings, nine ceramics
Her inventory for the gallery lists fifteen paintings—from Purple Haze (1994) to Hope & Loss (2007)—and nine ceramic bowls and plates from her work at the Braille Institute. Hope & Loss, nine eighteen-inch panels of lottery tickets and pennies, was hung as a cross.
WORKS FEATURED
Hope & Loss, acrylic and collage (lottery tickets and pennies) on panels, 2007
Hard Rain, acrylic on canvas, 2007
What Comes After Black?, acrylic and mixed media on canvas, 2001
Hollywood Sunset, acrylic and mixed media on canvas, 2001
Bad Girls, acrylic and mixed media on canvas, 2005
Terremoto, acrylic, graphite and marker on canvas, 1997
1983: A Merman I Should Turn 2B, acrylic and mixed media, 2000
Soul-Etude, acrylic and mixed media, 2005
Children of the Revolution, acrylic and mixed media on canvas, 2005
Small Loser #1, acrylic and collage on canvas, 2007
Small Loser #2, acrylic and collage on canvas, 2007
Chicken Little, acrylic and mixed media on canvas, 2003
Sign, collage map of Los Angeles and acrylic, 2005
Fishing for Compliments I, acrylic, 1998
Purple Haze, acrylic and mixed media on canvas, 1994
ARTIST STATEMENT
Barbara on the show
When I was diagnosed with a retinal degenerative disease in 1984, I had been painting for years. As I became legally blind, I seriously questioned my ability to continue painting. I slowly transformed my thinking and techniques to incorporate my physical limitations as an integral part of my work.
My color palette has grown more vivid as my sight diminishes. I create original stencils, which form icons as imagery. My work relies less on what I see and more on what I hear, remember and imagine.
I am increasingly inspired by the world of sound—music and language. In my “visual music” paintings, I create a painted version of a particular piece of music “performed” in response to listening to it multiple times.
“I strive to make paintings which become improvisational, multi-layered ‘weavings of words’, where the viewer is invited to create his/her own poetry.”
— Barbara Romain, statement written for Destruction of the State: Writing on the Wall, August 2007
THE PRESS RECORD · 2007
What was written, printed and photographed
Filter by kind. Each box opens its source; grey boxes are held in the Estate archive and open on request.
2007
Satsuma Gallery · North Hollywood (August 4–31, 2007 · opening August 11)
2007
Satsuma Gallery · North Hollywood (August 4–31, 2007 · opening August 11)
2007
Satsuma Gallery · North Hollywood (August 4–31, 2007 · opening August 11)
2007
Satsuma Gallery · North Hollywood (August 4–31, 2007 · opening August 11)
RELATED
Portfolio: Hope & Loss · Hard Rain · 1983: A Merman I Should Turn 2B · Chicken Little · Children of the Revolution · Purple Haze · Related dossier: New Beginnings, 2006