BARBARA ROMAIN

A visual-music painting to George Clinton’s “Atomic Dog.” The title is on the canvas in block capitals, and the song runs on beneath it in her cursive hand — DIZZY DOGS, NASTY DOG, FUNK! Photographic dogs are collaged in among the lettering, cut loose over broad diagonal bars. It is the loudest painting in the archive, and it is built exactly the way she described building them: layers answering the parts of a song, laid on one over another.