EXHIBITION PRESS DOSSIER · 2008–2026
SPEAKING VOLUMES: TRANSFORMING HATE
An exhibition that lasts eighteen years creates its own archive. Speaking Volumes opened at the Holter Museum of Art in Helena, Montana, in January 2008 with thirty artists, and Barbara was one of them. Her Dialogue: Peace and Dialogue: Star have stayed with the project while it doubled around her—sixty artists and 4,100 books today. Two paintings, thirty-two showings across thirty-one venues, 2008–2026, eighteen years and continuing, curated by Katie Knight.
This page reconstructs that public life from the most recent venue backward. Not every article names Barbara. Not every venue reproduced her work. We keep those distinctions visible.
THE WORKS
Two canvases, one pair
Dialogue: Peace (2007), Dialogue: Star (2007)
Acrylic collage on canvas · 72 × 72 in. each
These collages are overpainted pages from the white-supremacist books the exhibition was built from.
THE PROJECT
Books into art
In 2003 the Montana Human Rights Network acquired more than 4,000 books surrendered by a defecting leader of a hate group. In 2005 the Network asked the Holter Museum of Art and curator Katie Knight to make an exhibition of them. Barbara was invited to answer the call by Arnold Aprill, whom she met at the VSA International Arts Festival, Washington, D.C., 2004.
STRONGEST SINGLE FACT
Her painting was the face of the show
For Fort Collins, January–March 2017, the museum put Dialogue: Peace on the cover of its flyer and on the street banner across its facade. Out of thirty-nine artists, the venue chose her canvas to front the exhibition.
ARTIST STATEMENT
Barbara on the Dialogues
As a blind, Jewish visual artist, I was immediately, personally drawn to the concept of “Speaking Volumes.” A life-long painter, I became increasingly inspired by what I could hear, remember and imagine as I lost my sight due to a retinal degenerative disease.
Thus many of my large paintings are text-based, weavings of words, where the letters form the actual imagery and gesture of the painting.
In Dialogue: Star and Dialogue: Peace I collaged actual pages from Rahowa and other books by Ben Klassen as the backdrop for painted text passages culled from the same books, which espouse racist and anti-Semitic views.
My goal was to highlight various words within the passages to form an alternate benign text. As I worked on the paintings I became engrossed in the aesthetic as much as the rhetorical aspect of the work. Sometimes the words may be difficult to read or follow, but I hope the viewer can make “poetic” sense of the positive words which are highlighted. Also, by adding the peace symbol and Star of David, I believe these symbols carry enough positive charge to negate the malignant words.
Reading through the Klassen books, I was struck by how much of the writing was repetitive, garbled nonsense. Therefore, I didn’t worry so much about visually losing some of his words (although I did not edit out any words from a particular passage).
Additionally, I hope the fact that there are two paintings will increase the perception of dialogue, as they speak with each other.
I feel that this form of dialogue is particularly appropriate to Jewish culture, which is based on the “word” and interpretation and discussion of texts.
“These are both 6-foot square paintings. They were in response to a call for art from the Montana Human Rights Commission and the Montana Helena Art Museum. They wanted to put on an exhibition called ‘Speaking Volumes: Transforming Hate’ and they asked artists to take these books… I collaged the pages from the books and I took out some of the worst language that was in there and tried to turn the sentences into something that was positive.”
— Barbara Romain, In The Space, Pasadena Media, 17 June 2021
THE PRESS RECORD
What was written, printed and photographed
Every press release below states two facts: whether Barbara is named, and whether her artwork is highlighted.